Show ReviewsSoulfly Vs. Nile: Battleground Pittsburgh!

Soulfly can be a divisive act. There are three tribes: those who will not give Soulfly their time, those who prefer the early Soulfly, and those who prefer that latter day Soulfly. I can recall the rank smell of disappointment of the entirely overhyped nu-metal that was the debut and a few records after that but have watched and listened to the band grow into an almost idealized modern Sepultura, a band that is still...
Darren Lewis7 months ago1034 min

Soulfly can be a divisive act. There are three tribes: those who will not give Soulfly their time, those who prefer the early Soulfly, and those who prefer that latter day Soulfly. I can recall the rank smell of disappointment of the entirely overhyped nu-metal that was the debut and a few records after that but have watched and listened to the band grow into an almost idealized modern Sepultura, a band that is still in leader/righteous ogre Max Cavalera’s blood as demonstrated in what’s still left of Diesel Club Lounge. Yet, I don’t feel that one can discuss Soulfly these days without touching on the virtuoso axe-wielding of Marc Rizzo who took many a musician to school with his funky thrash metal Santana pyrotechnics as the tight rhythm section made up of Max’s drummer son Zyon and bass monster Mike Leon bound it all together. Tribal, indigenous fury borne of thrash met Egyptian-styled progressive death head on, co-headliners Nile  acting as the irresistible force to the immovable object that is Soulfly, arguably winning out with their sandstorm riffs, rumbling blastbeats that sound like a horde of mummies on the march, guitar solos that would beguile Anubis, and vocals that invoke the roar of a Sphinx and the collective pain of all of those who died building the pyramids. Sanders, Kollias, Kingsland, and Parris channeling deities named and nameless as they scorched through a set that sounded thousands of years old, the band playing as if they were guided by invisible forces, their background as Southern Americans mattering none.

I unfortunately missed the first opener, but I did manage to take in locals Post Mortal Possession, who mercilessly devoured their competition with a fervent sort of Cannibal Corpse worship that eclipsed their brazen influences. In 2011, I coincidentally managed to catch both Nile and Soulfly on two separate dates just a day between each other, so I felt the pairing was intuitive, each band bringing the ancient world to heavy metal as they bring heavy metal to the modern world.

 

– The Grym Hessian

Darren Lewis

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

FAM is a Pittsburgh, PA based music media company that’s all about the personal, emotional and social experience of music. The internet is awesome for finding music – living it is better! We’re bringing you professional photos from shows, articles, videos and more to remind you that your weekend doesn’t have to be spent here in the virtual world but with people who have at least one thing in common with you – a shared taste for music. Music media has been done before, but we flipped the script and concentrate on the stuff you haven’t seen yet – the local and regional bands that aren’t just a name on a billboard and a face on a stage. You’re probably still going to find some national level stuff happening around the Pittsburgh area but that’s because when they come to town, they’re part of our family… and once upon a time they were a local band from somewhere.

Ads

Build the Scenethe Pennsylvania Rock ShowDevil Inside Promotions

First Angel Media, 2018 © All Rights Reserved